Christopher Williams_Farbfoto auf Papier, C-Print, 64,5 x 75,5 cm 2000 A15_f04 Kodak color PORTA 100T (PRT) Process C-41 Printed on: Ultra III paper, process RA-4 Surface F, gloss March 10, 2000, Farbfoto auf Papier, C-Print, 64,5 x 75,5 cm 2000

Christopher Williams
Farbfoto auf Papier, C-Print, 64,5 x 75,5 cm 2000 A15_f04 Kodak color PORTA 100T (PRT) Process C-41 Printed on: Ultra III paper, process RA-4 Surface F, gloss March 10, 2000, Farbfoto auf Papier, C-Print, 64,5 x 75,5 cm

geboren 1956 in Los Angeles. lebt und arbeitet in Köln und Los Angeles.

Ausbildung
2008 – present Professor, Kunstakademie Düsseldorf
1981 M.F.A., California Institute of the Arts, Valencia
1978 B.F.A., California Institute of the Arts, Valencia

Einzelausstellungen
2015 In Light of 25 Years, Witte de With, Rotterdam [catalogue forthcoming]
2014 For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 19), David Zwirner, New York [artist publication]
The Production Line of Happiness, The Art Institute of Chicago [itinerary: The Museum of Modern Art, New York; Whitechapel Gallery, London] [catalogue]
The Production Line of Happiness, Galerie Mezzanin, Vienna
The Production Line of Happiness, Musée d’art moderne et contemporain (MAMCO), Geneva [part of Des histoires sans fin/Endless stories series]
2013 Christopher Williams, Volker Bradtke, Düsseldorf
For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 18), David Zwirner, London [artist publication]
For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 17), Galerie Gisela Capitain, Cologne [artist publication]
2012 The Production Line of Happiness, Kabinett für aktuelle Kunst, Bremerhaven, Germany [catalogue and artist publication]
2011 For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 15), Museum Morsbroich, Leverkusen, Germany [artist publication]
For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 14), House of Art – Gallery of Contemporary Art, České Budějovice, Czech Republic
For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 13), Museum Dhondt- Dhaenens, Deurle, Belgium
For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 12), David Zwirner, New York
2010 Andrea Fraser/Christopher Williams: Galerie Christian Nagel, Antwerp
For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 11), Staatliche Kunsthalle Baden-Baden, Germany [catalogue]
For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 10), Bergen Kunsthall, Norway [catalogue]
2009 For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 9), Galerie Gisela Capitain, Cologne
For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 8), Capitain Petzel, Berlin
Mathias Poledna, Christopher Williams, Bonner Kunstverein, Bonn, Germany [two-person exhibition]
2008 For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 7), David Zwirner, New York
2007 For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 6), Kunsthalle Zürich [catalogue]
For Example: Dix-Huit Leçons sur La Société Industrielle (Revision 5), Galleria d’Arte Moderna, Bologna, Italy
Take That, Haubrokshows, Berlin
2006 For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 4), David Zwirner, New York
For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 3), Museu Serralves, Porto, Portugal
2005 De Rijke/De Rooij, Secession, Vienna [catalogue]
For Example: Dix-Huit Leçons sur la Société Industrielle (Revision 2), Gisela Capitain, Cologne
For Example: Dix-Huit Leçons sur la Société Industrielle (Draft 2), Contemporary Art Gallery, Vancouver [catalogue]
For Example: Dix-Huit Leçons sur la Société Industrielle (Revision 1), Kunstverein Braunschweig, Germany [catalogue]
2004 Christopher Williams, Gisela Capitain, Cologne
Works 1994-2000, John Hope Franklin Center, Franklin Center Gallery, Duke University, Durham, North Carolina [exhibition brochure]
2003 Christopher Williams, Wako Works of Art, Tokyo
2002 Christopher Williams, David Zwirner, New York
Christopher Williams, Gisela Capitain, Cologne
2001 Poesin Måste Göras Av Alla! Transform The World! Förändra Världen! Poetry Must Be Made By All, Govett-Brewster Art Gallery, New Plymouth, New Zealand [catalogue]
2000 For Example: Die Welt ist schön (Revision 17): Couleur Européene, Couleur Soviétique, Couleur
Chinoise, David Zwirner, New York
For Example: Die Welt ist schön (Revision 18): Couleur Européene, Couleur Soviétique, Couleur Chinoise, Galerie Esther Freund, Vienna
For Example: Die Welt ist schön (Revision 19): Couleur Européene, Couleur Soviétique, Couleur Chinoise, Galerie Kienzle & Gmeiner, Berlin
For Example: Die Welt ist schön (Revision 20): Couleur Européene, Couleur Soviétique, Couleur Chinoise, Le Magasin, Grenoble, France
For Example: Die Welt ist schön (Revision 21): Couleur Européene, Couleur Soviétique, Couleur Chinoise, Galerie Gisela Capitain, Cologne
For Example: Die Welt ist schön (Revision 22): Couleur Européene, Couleur Soviétique, Couleur Chinoise, Museum Haus Lange – Haus Esters, Krefeld, Germany [catalogue]
For Example: Die Welt ist schön (Revision 23): Couleur Européene, Couleur Soviétique, Couleur Chinoise, Wako Works of Art, Tokyo
1999 For Example: Die Welt ist schön (Revision 16): Couleur Européene, Couleur Soviétique, Couleur Chinoise, Galerie Marian Goodman, Paris
1998 For Example: Die Welt ist schön (Revision 13), Luhring Augustine, New York
For Example: Die Welt ist schön (Revision 14): Transform the World! Poetry Must be Made by All, Galerie Gisela Capitain, Cologne
For Example: Die Welt ist schön (Revision 15): Transform the World! Poetry Must be Made by All, Margo Leavin Gallery, Los Angeles
Video Supplement 96, Stadkino, Basel [lecture and video screening]
1997 For Example: Die Welt ist schön (Revision 9): A retrospective from the first draft to the final draft, Museum Boijmans Van Beuningen, Rotterdam [catalogue]
For Example: Die Welt ist schön (Revision 10): A retrospective from the first draft to the final
draft, Kunsthalle Basel [catalogue]
For Example: Die Welt ist schön (Revision 11), Galleria Lia Rumma, Naples
For Example: Die Welt ist schön (Revision 12): A retrospective from the first draft to the final draft, Kunstverein Hamburg
For Example: Die Welt ist schön (Final Draft), Wako Works of Art, Tokyo
1996 For Example: Die Welt ist schön (Revision 6), Patrick Painter Editions, Vancouver
For Example: Die Welt ist schön (Revision 7), Margo Leavin Gallery, Los Angeles
For Example: Die Welt ist schön (Revision 8), Galerie Gisela Capitain, Cologne
1995 Film Screening by Christopher Williams, Museum of Modern Art, Syros, Greece
For Example: Die Welt ist schön (Revision 5): Oehlen Williams 95, Wexner Center for the Arts, Colombus, Ohio [catalogue] [two-person exhibition]
1994 For Example: Die Welt ist schön (Revision 3), Margo Leavin Gallery, Los Angeles
For Example: Die Welt ist schön (Revision 4), Galerie Borgmann Capitain, Cologne
1993 Christopher Williams, Person’s Weekend Museum, Tokyo [catalogue]
Christopher Williams, Room Tomoyo Kawai, Room 401, Casa de Verde, Tokyo
For Example: Die Welt ist schön (Revision 2), Luhring Augustine, New York
For Example: Die Welt ist schön (First Draft), Kunstverein München, Munich
1992 Christopher Williams, Galerie Gisela Capitain, Cologne
Christopher Williams, Luhring Augustine, New York [two-person exhibition with Sophie Calle]
Felix Gonzalez-Torres and Albert Oehlen, Margo Leavin, Los Angeles [curated by Christopher Williams] [two-person exhibition]
Two Evenings of Film, Film Festival Cologne, Cologne [two-person exhibition with Albert Oehlen] [catalogue]
1991 Christopher Williams, Galerie Crousel-Robelin BAMA, Paris
Christopher Williams, Galerie Max Hetzler, Cologne [catalogue]
Christopher Williams, Galerie Nelson, Lyon, France
1990 Christopher Williams, Luhring Augustine Hetzler, Santa Monica, California
1989 Christopher Williams, Galerie Crousel-Robelin BAMA, Paris
Christopher Williams, Luhring Augustine, New York
Christopher Williams, Shedhalle Zürich [catalogue]
1985 Selections from ADWEEK, Western Advertising News, Vol. XXXIV, No. 20, April 30, 1984,
Beyond Baroque Literary Arts Center, Venice, California [programmed with Herbert Gold]
1982 Christopher Williams, Jancar/Kuhlenschmidt Gallery, Los Angeles
Source: The Photographic Archive, John F. Kennedy Library, Jancar/Kuhlenschmidt Gallery, Los Angeles
1981 M.F.A. Exhibition, California Institute of the Arts, Valencia
1980 Christopher Williams, Mezzanine Gallery, California Institute of the Arts, Valencia
1979 3 Films, California Institute of the Arts, Valencia
One Film (Approximately 3 ½ minutes in length) will be shown, rewound, and shown again, Bijou
Theater, California Institute of the Arts, Valencia

Gruppenausstellungen (Auswahl)
2015 Open This End: Contemporary Art from the Collection of Blake Byrne, Nasher Museum of Art at Duke University, Durham, North Carolina [itinerary: The Ohio State University Urban Arts Space, Columbus, Ohio; Miriam and Ira D. Wallach Art Gallery, Columbia
University, New York; Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, Oregon] [catalogue forthcoming]
Perfect Likeness: Photography and Composition, Hammer Museum, Los Angeles [forthcoming]
2014 1984-1999: The Decade, Centre Pompidou-Metz, Metz, France [catalogue]
Darren Bader: Photographs I Like, Andrew Kreps Gallery, New York
Love Story: The Anne and Wolfgang Titze Collection, Winter Palace and 21er Haus, Belvedere, Vienna [catalogue]
A Machinery for Living, Petzel Gallery, New York [organized by Walead Beshty]
(Mis)Understanding Photography: Works and Manifestos, Museum Folkwang, Essen, Germany
Potent Wilderness: Works from the Igal Ahouvi Art Collection, The Genia Schreiber University Art Gallery, Tel Aviv University
Propaganda für die Wirklichkeit, Museum Morsbroich, Leverkusen, Germany [catalogue]
Take It or Leave it: Institution, Image, Ideology, Hammer Museum, Los Angeles
The Thing Itself, Yancey Richardson, New York
To do as one would, David Zwirner, New York
What is a Photograph?, International Center of Photography, New York [catalogue]
2013 55th Venice Biennale: Il Palazzo Enciclopedico/The Encyclopedic Palace, Venice [catalogue]
Confusion in the Vault, Museo Jumex, Mexico City [catalogue published in 2014]
The Feverish Library (continued), Capitain Petzel, Berlin
Life with Pop: A Reproduction of Capitalist Realism, Kunsthalle Düsseldorf [itinerary: Artists Space, New York [catalogue published in 2014]
Magnetic North, Ratio 3, San Francisco
Official Welcome – New works of the foundation for the acquisition of contemporary art, Hamburger Bahnhof – Museum für Gegenwart, Berlin
Tradition. A selection from the Center for Social Research on Old Textiles (CSROT), Marres, Maastricht, The Netherlands [itinerary: Grazer Kunstverein, Graz, Austria]
2012 Ändere dich, Situation!, Stadtgalerie Schwaz, Schwaz, Austria
A Blind Spot, Haus der Kulturen der Welt (HKW), Berlin
The Deutsche Börse photography prize 2012, The Photographers’ Gallery, London [itinerary: Deutsche Börse, Eschborn; C/O Berlin] [catalogue]
Fremde überall/Foreigners everywhere: Contemporary Art from the Pomeranz Collection, Jewish
Museum, Vienna [catalogue]
Ghosts in the Machine, New Museum, New York [catalogue]
Poule!, Fundación/Colección Jumex, Ecatepec, Mexico [catalogue]
Stand still like the hummingbird, David Zwirner, New York
This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago [itinerary: Walker Art Center, Minneapolis, Minnesota; Institute of Contemporary Art Boston] [catalogue]
2011 After the Gold Rush: Contemporary Photographs from the Collection, The Metropolitan Museum of Art, New York
Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975-1979), Artists Space, New York
Anti/Form: Sculptures from the MUMOK Collection, Kunsthaus Graz, Austria
The Boy Who Robbed You A Few Minutes Before Arriving At The Ball, Galerie Gisela Capitain, Cologne
Darren Bader – Chad Ochocinco, Andrew Kreps Gallery, New York
Jeff Wall: The Crooked Path, Palais des Beaux-Arts, Brussels [itinerary: Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain] [two catalogues]
Marking By Disclosure, Maxwell Graham Fine Art, New York
Moshe Ninio, Haim Steinbach and Christopher Williams, Dvir Gallery, Tel Aviv
Museum of Desires, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna [catalogue]
Under the Big Black Sun: California Art 1974-1981, Geffen Contemporary at Museum of Contemporary Art, Los Angeles [part of Pacific Standard Time: Art in L.A. 1945-1980 organized by the Getty Center, Los Angeles]
2010 8th Gwangju Biennale: 10,000 Lives, Gwangju, South Korea [catalogue]
The Artist’s Museum, Museum of Contemporary Art, Los Angeles
Atlas. How to Carry the World on One’s Back?, Museo Nacional Centro de Arte Reina Sofía, Madrid [itinerary: ZKM | Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany; Deichtorhallen Hamburg, Sammlung Falckenberg, Hamburg] [catalogue]
Crash: Homage to J.G. Ballard, Gagosian Gallery, London
Endless Bummer / Surf Elsewhere, Blum & Poe, Los Angeles
Exhibition, Exhibition, Castello di Rivoli – Museo d’Arte Contemporanea, Turin [catalogue]
Filmschönheit, Galerie Mezzanin, Vienna [itinerary: Greene Naftali, New York]
Ordinary Madness: Contemporary Works from the Collection, Carnegie Museum of Art, Pittsburgh [exhibition publication]
Picture Industry (Goodbye to All That), Regen Projects, Los Angeles [curated by Walead Beshty]
A Shot in the Dark, Walker Art Center, Minneapolis, Minnesota
Swagger, Drag, Fit Together, Wallspace Gallery, New York
Tasters’ Choice, Stephen Friedman Gallery, London
2009 Compass in Hand: Selections from the Judith Rothschild Foundation of Contemporary Drawings Collection, The Museum of Modern Art, New York [catalogue]
Connected things collected, Sammlung Haubrok, Berlin
Dance with Camera, Institute of Contemporary Art, Philadelphia [itinerary: Contemporary Arts Museum Houston, Texas; Scottsdale Museum of Contemporary Art, Arizona] [catalogue]
Das Gespinst: Die Sammlung Schürmann zu Besuch im Museum Abteiberg, Museum Abteiberg, Mönchengladbach, Germany
FAX, The Drawing Center, New York
Männer Frauen – Porträts Aus Der Sammlung, Kunstraum Grässlin, St. Georgen, Germany
Modernologies: Contemporary Artists Researching Modernity and Modernism, Museu d’Art Contemporani de Barcelona [itinerary: Museum of Modern Art Warsaw] [catalogue]
Then the work takes place. Zum Paradigma des Konzeptuellen in der zeitgenössischen Fotografie, Camera Austria, Kunsthaus Graz, Austria
Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Gallery, Los Angeles
A Wild Night and a New Road, Altman Siegel, San Francisco
2008 Choosing, Galerie Sfeir-Semler, Hamburg
Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, Museum of Contemporary Art, Los Angeles [catalogue]
Color Chart: Reinventing Color, 1950 to Today, The Museum of Modern Art, New York [itinerary: Tate Liverpool, England] [catalogue]
The Gallery, David Zwirner, New York
Index: Conceptualism in California from the Permanent Collection, The Geffen Contemporary at Museum of Contemporary Art, Los Angeles
Kavalierstart, 1978-1982 Aufbruch in die Kunst der 80er, Museum Morsbroich, Leverkusen, Germany
Not So Subtle Subtitle, Casey Kaplan Gallery, New York
Photography on Photography: Reflections on the Medium since 1960, Metropolitan Museum of Art, New York
Quiet Politics, Zwirner & Wirth, New York
Re-Designed, Galleria Lia Rumma, Milan
Wako Works of Art: 15 Years, Part III, Wako Works of Art, Tokyo
2007 Angelegenheiten, die sich daraus ergeben, Künstlerhaus Bremen, Germany
Been Up So Long It Looks Like Down to Me, Presentation House Gallery, North Vancouver [catalogue]
Brasil: desFocos [o olho de fora], Centro Cultural Banco do Brasil, Rio de Janeiro [itinerary: Paço das Artes, São Paulo] [catalogue]
Conditions of Display, The Moore Space and Locust Projects, Miami [catalogue]
Cross-border: Fotografie und Videokunst aus dem MUMOK Wien, Kunstmuseum Stuttgart
Die Wörter die Dinge, Kunstverein für die Rheinlande und Westfalen, Düsseldorf
Hammer Contemporary Exhibition, Hammer Museum, Los Angeles
Les Temps Modernes: Collection du Frac Bretagne, Domaine de Kerguéhennec, Bignan, France
What does the jellyfish want? Photographs from Man Ray to James Coleman, Museum Ludwig, Cologne
Yäq, La Planta, Arte Contemporáneo Omnilife, Guadalajara, Mexico
2006 1,82, Haubrokshows, Berlin
Daiwa Radiator Factory Viewing Room vol. 02, Daiwa Radiator Factory, Hiroshima [catalogue]
Into a Journey, Meyer Riegger Galerie, Karlsruhe, Germany
Keep passing the open windows or Happiness, Galerie Gisela Capitain, Cologne
Kunst aus Los Angeles der 60er bis 90er Jahre, Kunstverein Braunschweig, Germany [catalogue published in 2007]
Los Angeles 1955-1985, The Birth of an Art Capital, Centre Georges Pompidou, Paris [catalogue]
Make Your Own Life: Artists In & Out of Cologne, Institute of Contemporary Art, Philadelphia [itinerary: The Power Plant, Toronto; Henry Art Gallery, SeattleMuseum of Contemporary Art, Miami] [catalogue]
Motore Immobile, Greene Naftali Gallery, New York
Strange Drugs, Galerie Rodolphe Janssen, Brussels
Staged/Unstaged, Emily Tsingou Gallery, London
Surprise, Surprise, Institute of Contemporary Art, London
The Swan is Very Peaceful, Richard Telles Gallery, Los Angeles
Tomorrowland: CalArts in Moving Pictures, The Museum of Modern Art, New York [itinerary: Centre Georges Pompidou, Paris]
Whitney Biennial 2006: Day for Night, Whitney Museum of American Art, New York [catalogue]
Why Pictures Now: Fotografie, Film, Video Heute, Museum für moderne Kunst Stiftung Ludwig, Vienna [catalogue]
2005 bildwechsel /01 sammlung f. c. gundlach, haus der photographie, Deichtorhallen Hamburg
Early Work, David Zwirner, New York
I Really Should, Lisson Gallery, London
It takes some time to open an oyster, Centro Cultural Andratx, Mallorca, Spain
Photography’s Expanded Field, Preus Museum, Horten, Norway
Roe Etheridge, Zoe Leonard, Christopher Williams, Mai 36 Galerie, Zürich
2004 100 Artists See God, Naples Museum of Art, Naples, Florida [itinerary: The Jewish Museum, San Francisco; Laguna Art Museum, Laguna Beach, California; Memorial Art Gallery, University of Rochester, New York; Institute of Contemporary Art, London; Contemporary Art Center of Virginia, Virginia Beach; Albright College Freedman Art Gallery, Reading, Pennsylvania; Cheekwood Museum of Art, Nashville, Tennessee][catalogue]
Artists’ Favourites: Act 1, Institute of Contemporary Arts, London
Before the End, Le Consortium, Dijon, France
The Ecstasy of Things, Fotomuseum Winterthur, Switzerland
H2O (x) + 6: John Baldessari, Roni Horn, William Leavitt, Allen Ruppersberg, Roman Signer, Christopher Williams, Margo Leavin Gallery, Los Angeles
Last One On is a Soft Jimmy, Paula Cooper Gallery, New York
Lodz Biennial, Lodz, Poland
Playing with Nature: Flowers Observed, Flowers Transformed, Andy Warhol Museum, Pittsburgh
Teil 2 “Quodlibet”, Galerie Daniel Buchholz, Cologne
2003 2003 Society for Contemporary Art Acquisition Selections, The Art Institute of Chicago
Fast Forward: Media Works from the Goetz Collection, ZKM | Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany [catalogue]
Possibility of the Impossible, Kunstverein Frankfurt
Raid the Icebox, Margo Leavin Gallery, Los Angles
Re-Produktion-2, Georg Kargl, Vienna
Unreal Estate Opportunities, PKM Gallery, Seoul [catalogue]
2002 La Chinoise, Baumgartner Gallery, New York
Portrait Photography, Mai 36, Zürich
Prophets of Boom – Werke aus der Sammlung Schürmann, Staatlichen Kunsthalle Baden-Baden, Germany
ReProduction, Galerie Bernhard Knaus, Mannheim, Germany
Solitudes, Galerie Michel Rein, Paris
Transform the World 2002, Wako Works of Art, Tokyo
Works from the Schürmann Collection, Staatliche Kunsthalle Baden-Baden, Germany [catalogue]
2001 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles
Detourism, The Renaissance Society at the University of Chicago
In Between: Art and Architecture, MAK Center, Los Angeles
Grässlin Collection, Deichtorhallen Hamburg
I NY, David Zwirner, New York
Mobile Wall Systems, Museum Boijmans Van Beuningen, Rotterdam
Sammlung Hauser and Wirth/Part 2/Alternating Current, Sammlung Hauser and Wirth, St. Gallen, Switzerland [catalogue]
Take Two/Reprise, The Ottawa Art Gallery, Canada [exhibition brochure]
Ziviler Ungehrosam, Die Sammlung Falckenberg, Hanover
2000 Foto Biennale, Rotterdam [catalogue]
1999 Gallery Artists Summer Show, David Zwirner, New York
The Museum as Muse: Artists Reflect, The Museum of Modern Art, New York [catalogue]
Summer Group Show, Margo Leavin Gallery, Los Angeles
The work shown in this space is a response to the existing conditions and/or work shown preciously with the space III, Neugerriemschneider, Berlin
1998 90069, Margo Leavin Gallery, Los Angeles
At the End of the Century: One Hundred Years of Architecture, Museum of Contemporary Art, Toyko [itinerary: Colegio de San Ildefonso, Mexico City; Museum Ludwig, Cologne; Museum of Contemporary Art Chicago; Museum of Contemporary Art, Los Angeles]
Places that are elsewhere, David Zwirner, New York [curated by Diana Thater]
TransFiction I: Point Blank, Charim Klocker, Vienna
Travel & Leisure, Paula Cooper Gallery, New York
1997 At One Remove, Henry Moore Institute, Leeds, England
Nature Redux: Photographs by Ten Artists, Harris Art Gallery, University of La Verne, California
Someone else with my fingerprints, David Zwirner, New York [itinerary: Galerie Hauser & Wirth,
Zürich; August Sander Archiv/SK Stiftung Kultur, Cologne; Kunstverein München, Munich; Kunsthaus Hamburg [curated by Wilhelm Schürmann] [catalogue]
Sunshine & Noir: Art in L.A. 1960-1997, Louisiana Museum of Modern Art, Humblebæk, Denmark [itinerary: Castello di Rivoli – Museo d’Arte Contemporanea, Turin; The
Hayward Gallery, London; Haus der Kunst, Munich; Hammer Museum, Los Angeles; Kunstmuseum Wolfsburg, Germany] [catalogue]
Wachselstrom, Galerie Ulrich Fiedler, Cologne
1996 Nature Redux: Photographs by Ten Artists, Santa Barbara County Arts Commission at Channing Peake Gallery, California
Nobuyoshi Araki, Larry Clark, Thomas Struth and Christopher Williams, Kunsthalle Basel [catalogue]
Roy Arden, Dan Graham and Ed Ruscha, Christopher Williams, Blum and Poe, Santa Monica, California
1995 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles
Dark Memories Hovering Below the Transparent Screen of the Present will Project Images of Reality in Sharp Silhouette to Create the Pleasurable Effect of a Double World, Marc Foxx Gallery, Santa Monica, California [organized by Larry Johnson]
Das Ende der Avantgarde: Kunst als Dienstleistung, Kunsthalle der Hypo-Kulturstiftung, Munich [catalogue published in 1996]
People (Stephan Balkenhol, Marlene Dumas, Thomas Ruff, Thomas Struth and Christopher Williams), Monica de Cardenas Gallery, Milan
Untitled (Reading Room), Margo Leavin Gallery, Los Angeles
1994 Archive, Forum Stadpark, Graz, Austria
Die Orte der Kunst, Sprengel Museum, Hanover [catalogue]
Installations: Selections from the Permanent Collection, Part One, Museum of Contemporary Art, Los Angeles
In the Field: Landscape in Recent Photography, Margo Leavin Gallery, Santa Monica, California
Labor and Leisure, John Michael Kohler Arts Center, Sheboygan, Wisconsin
Notational Photographs, Metro Pictures; Petzel Borgmann Gallery, New York
Radical Scavenger(s): The Conceptual Vernacular in Recent American Art, Museum of Contemporary Art Chicago [catalogue]
Temporary Translation(s), Kunst der Gegenwart und Fotografie Deichtorhallen Hamburg [curated by Sammlung Schürmann] [catalogue]
1993 A Complete Hand of One Suit, Donna Beam Fine Art Gallery, University of Nevada, Las Vegas
Fragments and Forms: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles
Konstruktion Zitat: Kollektive Bilder in der Fotografie, Sprengel Museum, Hanover [catalogue]
Kontextualismus, Neue Galerie, Graz, Austria [catalogue]
L.A. Stories, Jack Rutberg Fine Arts, Los Angeles
Other Places, Margo Leavin Gallery, Los Angeles
Utopian Art – Artificial Utopia, Friedrichshof, Austria
1992 Autoren von Texte zur Kunst halten Reden u.a. auf der documenta 9, Horsaal der Gesamthochschule, Kassel [catalogue]
Dirty Data: The Collection of Wilhelm Schürmann, Ludwig Forum für internationale Kunst, Aachen, Germany [catalogue]
Hollywood, Hollywood, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, California [curated by Fred Fehlau] [catalogue]
Knowledge: Aspects of Conceptual Art, University Art Museum, Santa Barbara, California
[itinerary: Santa Monica Museum of Art, California; North Carolina Museum of Art, Raleigh] [catalogue]
Mehr Licht, Galerie Crousel-Robelin, Paris
American Fine Arts, New York
Jack Hanley Gallery, San Francisco
1991 51st Carnegie International 1991, Carnegie Museum of Art, Pittsburgh [catalogue]
Enclosure, Los Angeles Municipal Art Gallery
Facing the Finish: Some Recent California Art, San Francisco Museum of Modern Art [itinerary: Santa Barbara Contemporary Arts Forum, California; Art Center College of Design, Pasadena, California] [catalogue]
Fassbinder-Oehlen-Prina, Castello di Riviera, Turin [catalogue] [slide presentation]
Gulliver’s Travels, Galerie Sophia Ungers, Cologne [catalogue]
The Legacy of Karl Blossfeldt, Jan Turner Gallery, Los Angeles
Lynn Cohen, Thomas Struth, Christopher Williams, Galerie Samia Saouma, Paris
Rodney Graham, Stephen Prina, Christopher Williams, S.L. Simpson Gallery, Toronto [catalogue]
Vanitas, Galerie Crousel-Robelin, Paris
1990 Artedomani: 1990/ Punto di Vista, Galleria Communale d’Arte Moderna, Spoleto, Italy [catalogue]
De Aftsand, Witte de With, Rotterdam [catalogue]
Drawings, Luhring Augustine Hetzler, Santa Monica, California
Prints and Multiples, Luhring Augustine Hetzler, Santa Monica, California
Galerie Ursula Schurr, Stuttgart
1989 Constructing a History: A Focus on MOCA’s Permanent Collection, Museum of Contemporary
Art, Los Angeles [catalogue]
A Forest of Signs: Art in the Crisis of Representation, Museum of Contemporary Art, Los Angeles [catalogue]
Group Exhibition, Robbin Lockett Gallery, Chicago
Group Show, Schmidt Markow Gallery 1709, St. Louis, Missouri
Materiality, CEPA, Buffalo, New York
Une Autre Affaire, Espace Frac, Dijon, France
Wittgenstein and the Art of the 20th Century, Secession, Vienna [itinerary: Palais des Beaux Arts, Brussels] [catalogue]
Galerie Ursula Schurr, Stuttgart
1988 Material Ethics, Milford Gallery, New York
Galerie Crousel-Robelin, Paris
1987 CalArts: Skeptical Belief(s), The Renaissance Society at the University of Chicago [itinerary: The Newport Harbour Art Museum, Newport Beach, California] [catalogue]
The Castle, Documenta 8, Kassel [curated by Group Material]
L.A.: Hot and Cool: The Eighties, List Visual Arts Center at MIT, Cambridge, Massachusetts [catalogue]
Nothing Sacred, Margo Leavin Gallery, Los Angeles
Tim Ebner, John L. Graham, Stephen Prina, Christopher Williams, Kuhlenschmidt/Simon, Los Angeles
1985 Mandelzomm, Castello di Vulci, Rome
Rooted Rhetoric: Una Tradizione nell’Arte Americana, Castel dell’Ovo, Naples
T.V. Generations, Los Angeles Contemporary Exhibitions [catalogue published in 1986] Foundation De Appel, Amsterdam
1985 The Art of Memory, The Loss of History, New Museum, New York [catalogue]
Prina, Stahl, Williams, Marian Goodman Gallery, New York
1984 Jenny Holzer, Stephen Prina, Mark Stahl, Christopher Williams, Galerie Crousel – Hussenot, Paris
[itinerary: Gewad, Ghent; Foundation De Appel, Amsterdam] [catalogue]
1983 Unclaimed: 1 Pkg. Photos, 88lbs…Identification Number 085-65950006, U.S. Customs, Terminal Island, California [in association with Mark Stahl]
1981 74th American Exhibition, The Art Institute of Chicago [catalogue published in 1982]
Group Show, Jancar/Kuhlenschmidt Gallery, Los Angeles
1980 5. International Biennale, Erweiterte Fotografie, Secession, Vienna
Public Speaking Work, California Institute of the Arts, Valencia [in association with Mark Stahl]
1979 Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts [itinerary: University of Hartford, Connecticut]
Group Exhibition of Some CalArts Works and Other People Who Have Passed Through, Vancouver School of Art
1978 Approximately One-Half Hour of Dance Activity

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Geschrieben von Jochen Kienzle

Die Kienzle Art Foundation wurde 2010 gegründet und widmet sich, basierend auf der Initiative des Berliner Sammlers und Galeristen Jochen Kienzle, der öffentlichen Vermittlung von Kunst in Form von Ausstellungen, Publikationen, Vorträgen.